How to Seduce Women

How to Seduce Women

Whether they admit it or not, almost every man wants to know how to seduce women, and be better at it. How many men do you know who are 100% satisfied with their love lives? I don’t know any, and yet it is still uncommon for men to seek help on this matter, primarily due to ego, as well as the social stigma that exists around teaching seduction.

Before I became a pick up artist I was a typical AFC with no seduction skills whatsoever. Despite having a good social circle, and plenty of female friends, I was always single, never had any dates and feared that I would never be able to seduce women.

A few months into my pick up artist journey started going out more in London and approaching more girls and getting more numbers, and my skill in approaching and number closing definitely improved, however the numbers rarely materialised into dates and I still wasn’t getting laid.

I had a consultation with a top London pick up artist who told me that the reason was probably due to the fact that my interactions involved running through a linear pattern in my head: approach, hook, number close. He told me that I needed to pay attention to the crucial aspects of seduction: Kino escalation, speaking slowly and with pauses, and maintaining eye contact etc.

He advised me to start going into sets with no agenda about getting a number or a date, but to purely focus on these seductive characteristics. I concentrated on maintaining eye contact, and would hold it until the girl broke off first. I spoke slowly and started to put pauses in my sentences, which I found gave me the unexpected bonus of not being so nervous about what I was going to say next. I started to actually use kino, which was something I’d read a lot about, but never really tried to use as I was often waiting for the right time to use it. My teacher told me that it was always the right time! Women are much more responsive to touch than men, and when kino is used correctly it can create intense attraction from a cold approach.

Implementing these changes had a huge impact on my game. I’d already become comfortable with approaching and interacting with sets, but it never seemed to lead anywhere, and it would often end with a weak number close or with myself getting blown out of the set. Now I found that women were more interested in what I said, there was a greater intensity in the interaction, and when I used kino, they would usually reciprocate by touching me back.

If you feel that you’ve mastered your approach anxiety, and you have no problem talking to girls but still aren’t getting the results you want, start implementing the basic rules of seduction, and you may well notice a dramatic improvement in your game. Work at lowering your tone of voice, and if it’s something you’re insecure about, visit a voice coach. Start to Leave. Pauses. Whilst. Maintaining. Eye. Contact. This will serve the purpose of giving you higher value and greater control in the interaction. Nervous people tend to come into sets with an overbearing high energy, an inability to hold eye contact, and a tendency to lean closely into people whilst speaking fast, most of which is born from an insecurity that the set would rather be listening to someone else. A successful pick up artist will project none of these insecure attributes, and it will show. Lastly, start using kino, and perhaps try to gesture more with your hands when you speak to give yourself an excuse to touch her.

These may sound simple, and they really are. The ability to seduce women doesn’t come from complicated routines and openers, it comes from being seductive, which is something anyone can implement into their game. With practice will come social calibration, and soon you’ll begin to develop a natural intuition of how to touch and talk to women, as well as how to escalate sexual tension and seduce women.

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